The EXPRESSIVE E Touché SE includes a USB cable.If you want to use MIDI CC automation (as opposed to host automation) you do not have to use Lié. I never use host automation für orchestral stuff, so I use the 24 Presets on the Touché to have different MIDI CC combinations for different VIs set up and I only start Lié when I want to change those Presets. Touché SE shares the same build quality, patented mechanism and sound library as the classic Touché, refined with USB-only connectivity for software applications, and a new polycarbonate touch-plate. I like Lié as a software and I think their speedmapping is quite good. Expressive e touche se full#Įxpressive-E have expanded the sound library to include more than 200 factory sounds, pre-mapped to take full advantage of Touché SE’s. But the instruments I use are mainly made by some of the larger orchestral sampling companies, like Spitfire, Orchestral Tools* or ProjectSAM. Connect Touché (SE) directly to your computer, without a USB hub inbetween. All these tend to have default CC for most things, so it is actually much easier and faster to set the Touché to send those MIDI CCs as opposed to assigning host automation in Lié and then having to save tons of software Presets there. Use our original, branded Expressive E USB cable that comes with the unit. Perform the update from the standalone app of Lié, not from the plug-in version. With synths, I prefer host automation in Lié, but I do not use synths very frequently. The other main reason why I do not use Lié is that I want to maintain compatibility with other people that do not have a Touché. Arché: Supported Digital Audio Workstations. My project would then not load on their systems. Expressive-E have expanded the sound library to include more than 200 factory. What are the differences between Touché SE and Touché Fixing problems with updating Touché (SE)s firmware. Well built, feels sturdy - and you can replace & customise parts.Step 1: Registering your Touché (SE) and downloading Lié. I would recommend going with the original Touche and not the SE if you want even more CC control. I highly recommend the Touche for orchestral composers who want to avoid using 2 or 3 sliders at once. It is a physical instrument after all.Ī small con is that it takes about 10 seconds to save any new CC controls you assign and that it took me about an hour to find the right way to load Touche only as a midi instrument (without using Lie). It might take a few days to get used to controlling the Touche on one hand, while playing your keyboard with the other - but it's worth the practice! An extra good feature is that you can control the sensitivity of the Touche (how responsive it is to your movements). You can even set up your own custom CC curves (like exponential or linear or even draw one). I'm very pleased with the results: smooth expression, much more detailed than what a slider can get you! The best feature is that you can use two CC's at once (example: vibrato and expression) and have them flawlessly combined into each other. I got the Touche for controlling orchestral and ethnic instruments, specifically for mapping dynamics, vibrato and expression to the different axes of the Touche.
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