![]() ![]() As you can see from my screen captures, I have labelled all my inputs and outputs of both interfaces with what is connected to them this makes it much easier to configure routing, because I don’t need to remember that B7 and B8 feed my guest headphone amp, or even have to turn round to look at my patchbay to remind me what is plugged into what.Īt one level, this is nothing new - as far back as 2007 I was stressing the advantages of labelling everything. I recently added an HD Omni (with a quiet fan fitted) to my own setup, which in essence is my monitor controller, while my 8x8x8 interface handles the I/O for all my other studio equipment. This, of course, makes it even more crucial that the rest of the I/O Setup page is configured appropriately for your hardware, and proper labelling of inputs and outputs can make all the difference here. This means that when a new session comes along, the only I/O configuration it brings with it is its own set of buses these, in turn, are patched to inputs and outputs on your interfaces, and thus connected to the rest of your studio. In Pro Tools 12, buses now live with the session, whereas all the other tabs in the I/O Setup window relate to the hardware. Wouldn’t it be nice if the I/O labelling and routing for your hardware could be left alone? Well, in Pro Tools 12 Avid have added a number of features that help to achieve this goal. Anyone working in this kind of scenario will often have to spend much more time than they would like in the I/O Setup window reconfiguring things before they can even play back an incoming session. Many of us work increasingly with sessions that travel between different systems with different configurations: some just use stereo outputs, some have surround, some don’t mix in the box and so send tracks to an external mixer or summing amp, and so on. Most of the changes that Avid have made in the I/O Setup window have to do with reinforcing the distinction between session-related settings and hardware-related ones. So, what’s changed in the I/O Setup window in Pro Tools 12? I/O, I/O: It’s Off To Work We Go I had first-hand experience of this recently when I went into SSR in Manchester as guest lecturer and found reconfiguring my sessions to their I/O settings much easier than in previous versions. ![]() Consequently, in Pro Tools 12, Avid have made further refinements that definitely help make it a lot easier to move sessions around. Pro Tools 12 makes radical improvements to the way inputs and outputs are handled, which benefit all users.Īlthough it’s one small part of the Pro Tools experience, the I/O Setup dialogue is fundamental to the program - at least if you want to get any sound into or out of it! Over the years, Avid have refined this window, and we have visited it several times in workshop articles, notably in August 2007 ( and following the major upgrade in May 2011 ( Even after these revisions, however, the I/O Setup window could still cause problems to the unsuspecting Pro Tools user. Clear labelling is vital to avoid confusion within the I/O Setup dialogue and elsewhere. ![]()
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